New Music (For Me At Least) : January 2025
I'm trying to listen to as much new music as old these days.It suddenly occured to me early last year that I've, give or take, been listening to the same music since just prior to the Millenium.
As I career through my fifties I feel I need to start keeping a record of this new this stuff. If for nothing else its because my memory is getting worse and I might end up listening to something thinking its new when I've already heard it.
The new year / new album thing kicked off with this:
2nd January
Cartoon Darkness - Amyl & The Sniffers
Released October 2024
This one was on my list for last year but I never got around to listening to it before December closed out. I'm glad in a way because it was a cracking start to the years aural pleasure. I haven't really listened to anything like this for quite some time because middle-aged men are not necessarily the target audience for the likes of the Amyl gang but I'm really pleased I did. For a start its 33 mins which is a great length for an LP (no filler or flim flam) and from the opener it strikes you right in the middle of the forehead. Singer Amy Taylor definately has a bit of Wendy O Williams about her and the music to me feels like somewhere between The Plasmatics and Elastica. The fact that the tracks move effortlessly between the two is a real plus of this record. The sad thing is that is over before you know it. I'm wasn't sure wether to rate these records because I'm just not that knowlegeable but if I was to I'd give this a solid 8.5 / 10.
6th January
House Of Love - The House Of Love
Released February 1990
Small caveat here. I may have heard this before but it would have been a very long time ago and I certainly never purchased it in any form. If you're a music fan of a certain age then you'll remember the singles from this album (Shine On, Beatles & The Stones) and listening 36 years or so after its released you can't help but think that commercially speaking there's unfulfilled potential in abundance. I say that because artistically the band and subsequently the individuals involved have been well appreciated. I'd suggest this is a near-the-top example of its kind, early 90's British guitar based melodic pop well worth a revisit. A healthy 8.5 / 10.
12th January
The Human Fear - Franz Ferdinand
Released January 2025
This is the sixth album from the Scottish indie band and on listening something becomes pretty apparent, to me at least. I think you can definately put FF alongside The Cure and New Order for example, in as much as you know from almost the opening bar who you're listening to. Over the years in a packed field they've developed their own unique style which certainly in the case of this release provides another entertaining listen. I don't suppose anyone who buys / streams / downloads this would be expecting anything different to be fair and there's always something to be said for knowing you're good at something and sticking to it. I liked it and would urge someone teetering to give it a go. A lovely 7.5 / 10.
This was another artist I knew nothing of before playing the album. I've subsequently discovered this is the British artists third LP and after hearing this one I'll be checking out her previous efforts sometime soon. I picked up a kind of chilled out North African vibe throught the record. There's some lovely melodies and although the theme seems pretty consistant each track is noticeably different to the rest. The lyrics are mainly subtle but at some points harder hitting, all delivered with a very tuneful vocal range. There's a very crowded field of female solo artists these days but I reckon Nilufer Yanya is offering people will appreciate. A comprehensive 8.5 / 10
I found there was a little bit of everything in this one. Its the debut album from the American duo which actually came out almost a year ago. At the risk of sounding like a wine taster, playing this I was getting that Monkees style sixties pop, a bit of Radiohead thrown in, well blended with some shoegazy stuff as well. While all nine tracks have their merit I though the production across the whole record was outstanding, absolutely making the most the artists talent. 'For Ella' which I understand was released as a single could easily be described as a ballad. Not in the Mariah Carey / Celine Dion style but a contemporary one. Overall another excellent record 8 / 10.
Research tells me that Maribou State (Chris Davids & Liam Ivory) have been making music together since 2011 and I think that experience shows in this record. Its like 'grown-up' dance music, another record with a really high production quality. It has a kind of late 80's feel to me, so much so that its the kind of record The Style Council should have made between The Cost Of Loving' and the ill fated 'Modernism', not the not very good 'Confessions'. Not really heard anything much like this in January so it was nice to sqeeze this in right on the cusp of February. A really great driving record 7.5 / 10.
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